
Accessioned: 1985
Provenance: The materials where given to the Springer Opera House in 1985 by Abe Feder.Extent: 181 linear feet
Inclusive Dates: 1936-1976
Content: stage drawings, theatre lighting drawings, cue sheets
Access: The Collection is open to
research. The
Digital Collection is hosted by the Chattahoochee Valley Regional Library
System.
A physical surrogate collection is held at the Marshall Library and Archives at
the Springer Opera House. Prior appointment is necessary to view the collection
held at the Springer Opera House.
Preferred Citation: [item] Abe Feder/Springer Opera House Lighting Design Collection, Marshall Library and Archives, Springer Opera House.
Copyright: Copyrights remain under the purview of the Estate of Abe Feder
Processed: 2005 John J. Lyles
Abe Feder (1909-1997)
Abe Feder is recognized as one of the most distinguished Lighting Designers in
Broadway's history; he is also considered a major architectural lighting designer.
Modestly, Feder
often referred to himself as a "worker in light." However,
contemporaries described Feder as "a
genius with light," who was obsessed with light and how it could be used
to enhance an architectural or theatrical design. Feder is credited with practically invented
the position of Lighting Designer
Born in Milwaukee, Wisconsin in 1909, Feder went on to study engineering and theatre technology at the Carnegie Institute of Technology (now Carnegie-Mellon University) in Pittsburgh, Pennsylvania. His academic career was short-lived spanning two years of study. However, Feder pursued what turned out to be a 50 year education and career in lighting design. Leaving Philadelphia, Feder found employment at the Goodman Theatre in Chicago as a lighting director. In 1930, Feder traveled to the Mecca of theatrical production, New York City, and scored his first Broadway credit with Trick for Trick in 1932. No doubt the Depression made employment in the world of theatre difficult, however, Feder was one 2900 professional theatrical workers who found employment with the Federal Theatre Project. The Federal Theatre Project was created on August 29, 1935, under the auspicious of the Works Progress Administration (WPA), to provide employment for displace theatrical workers and entertainment for Americans. During 1935-1939, Feder continued to light Broadway as the lighting supervisor for the Works Progress Administration's Federal Theatre Project. All totaled, Feder is credited with lighting over 200 WPA Federal Theatre Projects. Included in this extensive list of WPA projects are T.S. Elliot's Murder in the Cathedral (1936), the Living Newspaper's presentations of Power (1937) and One Third of a Nation (1938), Orson Welles' famous production of a "voodoo" Macbeth (1936) set on a West Indies island with an all-black cast, Dr. Faustus (1937) staged on a bare stage surrounded by black drapes, and The Cradle Will Rock (1938) which was locked out of its theatre by the United States government and union organizers and forced to give an "outlaw" performance in the Venice Theatre.
Feder would then join the American Ballet Theatre (ABT) where he served as a production coordinator and lighting designer for the ABT's first national tour in 1940. Feder returned to New York City and lit productions on and off Broadway. Feder won the 1975 Toney Award for Best Lighting Design for his work on Goodtime Charley.
In addition to design, he wrote the unit on stage lighting in John Gassner's Producing the Play (1940). Building on his theatrical experience, Feder created a second career as an architectural lighting designer. With his company, Lighting By Feder, he was a lighting designer and consultant for projects that ranged from the 1964 New York World's Fair, Expo '67, the San Francisco Civic Center, Rockefeller Plaza, the Israel National Museum in Jerusalem, the Minskoff Theatre in New York, the relighting of New York's RCA Building in Rockefeller Center, the Empire State Building, the United Nations building, and the Springer Opera House, Georgia's State Theatre, in Columbus, Georgia. In 1993 Abe Feder was the first to be honored as a USITT Distinguished Lighting Designer.The Abe Feder/Springer Opera House Lighting Design Collection consists of 181 linear feet of material divided into 2 series. Series I. Drawings (1936-1979) is the most voluminous at 258 items (180 linear feet.) Series I contains technical theatrical lighting and scenic drawings representing productions in which Feder served as lighting designer and/or consultant. Although most of the drawings cover shows that appeared on Broadway, NYC theatres, a few drawings cover productions that appeared in theatres across the United States and the United Kingdom. Drawings range in sizes (10"x17" to 36"x48").
Series II: Data Books represents 1 linear foot of material that comprise of correspondence, stage light cue sheets, play bills and assorted technical production material. These books document some of the business transactions of Lighting By Feder and contain an array of information concerning the behind the scenes work that is incurred before and during a theatrical performance. Of particular note, are the data books for the 1972 reopening of the Springer Opera House in Columbus, Georgia.

Series I and Series II are arranged chronological by year then alphabetically by production within its production year.
I.
Drawings
II. Data Books
Series I Drawings
Flat File -- Drawer -- Item --Contents
D 1 Feder 1-2 Waldorf Astoria, 2 items, 24"x30", 1936, 1962
D 1 Feder 3-4 Dr. Faustus, 2 items, 1937
D 1 Feder 5 Johnny Belinda, 10"x12", 1940
D 1 Feder 6-8 The Walking Gentleman, 3 items, 20"x36" and below, 1942
D 1 Feder 9-10 Gioconda Smile, 2 items, 28"x38" and below, 1950
D 1 Feder 11-12 NY Times Fashion Show, 2 items 24"x36" and below, 1950
D 2 Feder 13-16 Out of This World, 4 items, 24x40" and below, 1950
D 2 Feder 17-19 Three Wishes for Jamie, 3 items, 14"x21", 1952
D 2 Feder 20-24 Thunderland, 5 items, 24"x36" and below, 1952
D 3 Feder 25-30 A Pin To See A Peepshow, 6 items, 24"x40" and below, 1953
D 3 Feder 31-39 The Immoralist, 9 items, 28"x40" and below, 1953
D 4 Feder 40-58 The Boyfriend, 19 items, 10"x17" and below, 1954
D 5 Feder 59-60 The Flowering Peach, 2 items, 15"x22" and below, 1954
D 5 Feder 61 What Every Woman Knows, 12"x24", 1954
D 5 Feder 62-63 Inherit the Wind, 2 items, 13"x22", 1955
D 5 Feder 64 Lambs Gambols, 13"x18", 1955
D 5 Feder 65 Maiden Voyage, 12"x18", 1955
D 5 Feder 66 Seventh Heaven, 12"x24", 1955
D 6 Feder 67-73 The Skin of Our Teeth, 15"x30" and below, 1955
D 6 Feder 74-75 Wisteria Trees, 2 items, 14"x32" and below, 1955
D 6 Feder 76 A Clearing in the Woods, 13"x25", 1956
D 6 Feder 77-79 A Visit to a Small Planet, 3 items, 18"x31", 1956
D 7 Feder 80-87 Blues for Mr. Charlie, 8 items, 14"x21" and below, 1956
D 8 Feder 88-111 My Fair Lady, 24 items, 30"x48" and below, 1957
D 9 Feder 112-113 Orpheus Descending, 2 items, 19"x24", 1957
D 9 Feder 114-115 Time Remembered, 2 items, 18"x24", 1957
D 9 Feder 116-118 A Grand Hotel Production, 3 items, 16"x24" and below, 1958
D 9 Feder 119 Goldilocks, 13"x25", 1958
D 9 Feder 120 The Cold Wind and the Warm, 11"x21", 1958
D 10 Feder 121 A Loss of Roses, 24"x48", 1959
D 10 Feder 122-126 Come Play With Me, 5 items, 17"x40" and below, 1959
D 11 Feder 127-131 Green Willow, 5 items, 28"x40" and below, 1959
D 12 Feder 132-138 Elizabeth the Queen, 7 items, 14"x23" and below, 1960
D 12 Feder 139-141 A Place Without Twilight, 3 items, 18"x26" and below, 1962
D 12 Feder 142 Tiger, Tiger, Burning Bright, 24"x48", 1962
D 13 Feder 143-152 Once for the Asking, 10 items, 24"x40" and below, 1963
D 13 Feder 153-161 Camelot, 9 items, 24"x40" and below, 1963
D 14 Feder 162-166 Three Sisters, 5 items, 19"x30" and below, 1964
D 14 Feder 167-193 On a Clear Day You Can See Forever, 27 items, 15"x25" and below, 1965
D 15 Feder 194 Carousel, 24"x40", 1966
D 15 Feder 195-206 Country Girl, 12 items, 24"x36" and below, 1966
D 15 Feder 207-212 Beyond Desire, 6 items, 24"x40" and below, 1967
D 16 Feder 213-219 Washington Salute to the American Musical Theatre, 7 items, 21"x30" and below, 1967
D 16 Feder 220-222 Carnival, 3 items, 24"x40" and below, 1968
D 16 Feder 223 The King and I, 24"x36", 1968
D 17 Feder 224-229 Scratch, 6 items, 24"x40" and below, 1971
D 18 Feder 230-241 Springer Opera House, 12 items, 25"x36" and below, 1972
D 19 Feder 242-243 Goodtime Charley, 2 items, 24"x40" and below, 1974
D 19 Feder 244 Doctor Jazz, 15"x24", 1975
D 19 Feder 245-249 Carmelina, 4 items, 24"x40 and below, 1979
D 20 Feder 250-254 Theatre in the Park, 5 items, 18"x36" and below, date unknown
D 20 Feder 255-258 Connecticut Fashion Show, 4 items, 25"x36" and below, date unknown
Series II: Data Files
Box - Folder - Contents
Box 1
Folder 1 Androcles and the Lion
Folder 2 Big Blow
Folder 3 Carmelina Blocking Plans
Folder 4 Carmelina Script
Folder 5 Dr. Faustus
Folder 6 Federal Theatre
Folder 7 Fighting Jew
Folder 8 Goodtime Charley
Folder 9 Lighting Design Clinic 1979
Folder 10 Lighting Design Clinic 1980
Folder 11 Mac Beth
Folder 12 My Fair Lady
Folder 13 Native Ground
Folder 14 News Clippings
Folder 15 On A Clear Day
Folder 16 On A Clear Day Board Layout
Folder 17 On A Clear Day Cue Sheets
Folder 18 On A Clear Day Cue Sheets
Folder 19 Passenger to Bali
Folder 20 Prologue to Glory
Folder 21 Repertory of important Plays
Folder 22 Springer Opera House
Folder 23 Springer Opera House Specifications
Folder 24 Talk of the Town
Folder 25 "Uses of Light and Light Sources"
Folder 26 Works in Progress
For reference assistance
| Marshall Library and Archives, Springer Opera House
103 Tenth Street Columbus, Georgia 31901 (706) 324-5714 |
Genealogy and Local History Department, Columbus Public
Library
3000 Macon Road, Columbus, Georgia 31906 (706) 243-2681 |